Saxe became a sought after speaker, toured frequently and stayed prolific throughout the 1850s. Saxe was editor of the Sentinel in Burlington, Vermont, from 1850 to 1856. His poem "The Puzzled Census-Taker" amused many, and "Rhyme of the Rail" was possibly the most admired poem of the period about rail travel. He became a solid performer for Ticknor & Fields, though his sales ranked far behind his friend, Henry Wadsworth Longfellow. Though he received no royalties for his first volume, it ran to ten reprintings. He soon caught the attention of the prominent Boston publishing house Ticknor and Fields. Bored by his legal work, Saxe began publishing poems for The Knickerbocker, of which "The Rhyme of the Rail" is his most famous early work. The words "dutiful" and "pious" never applied to the satirist. In 1850-51 he served as state's attorney for Chittenden County.
For some years he practiced successfully in Franklin County. He was admitted to the Vermont bar in 1843 and tried to run a business with his dutiful and pious older brother, Charles Jewett Saxe.
In 1841 he married Sophia Newell Sollace, a sister of a Middlebury classmate, with whom he had six children including John Theodore Saxe. Raised in a strict Methodist home, Saxe was first sent, in 1835, to Wesleyan University which he left after a year, and then to Middlebury College, from which he graduated in 1839. The poet was named for two of his paternal uncles, John and Godfrey, who had died as young men before his birth. Saxe was the son of Peter Saxe, miller, judge and periodic member of the Vermont House of Representatives and Elizabeth Jewett of Weybridge, Vermont. Saxe was born in 1816 in Highgate, Vermont, at Saxe's Mills, where his settler grandfather, John Saxe (Johannes Sachse), a German immigrant and Loyalist to the Crown, built the area's first gristmill in 1786. John Godfrey Saxe I (J– March 31, 1869) was an American poet known for his re-telling of the Indian parable " The Blind Men and the Elephant", which introduced the story to a western audience.
0 kommentar(er)
